Nothing That Needed Eyes (Flash Fiction)

Here's a short piece I wrote for my writing group's chapbook.

Nothing That Needed Eyes

No good would come from disturbing this old house, I thought, applying my crowbar to an ancient oak plank. Still, there could be money squirreled away somewhere in this mess. Rusty nails creaked and snapped; the board popped up to expose a shallow dirt cellar crawling with centipedes and roaches.

Nellie Westhaver had lived here alone, at first pitied and then ignored by the townsfolk for the shiftless husband who had held lots of odd jobs and fast women until he and some mini-skirted trash named Luann disappeared for good and good riddance, probably on the Greyhound to Boston. He’d left his rattletrap Buick behind, but Nellie didn’t drive.

I’d recently spent ten years’ worth of medium security in Walpole and didn’t have a dime left to my name. Crazy Nellie had been my next-door neighbor, the type who never answers the door, fills every room with newspapers going back to Genesis, and lets you know she’s dead when she starts to smell. The house dated back to Revolutionary times, with its low ceilings and stone fireplaces in every room and not a single wall or doorway plumb or true. Not having many job prospects as an ex-con, I decided to see if the old bat had hidden any cash.

The stench had finally told her fate last week—masked EMTs carried her body out feet first on a stretcher, and police closed and padlocked the door. Already I hear Seven-Eleven wants to buy the lot.

Evidently, someone had made half an effort to tame the terrible odor, but the place still smelled like air freshener overpowered by death. Rot gnawed at the wood while mold spores and silence filled the air. Old Look magazines and Lowell Sun newspapers sat in dusty stacks. A small TV with rabbit ears looked like it hadn’t been used since Lawrence Welk died. At the window, a fly struggled in a spider web as a daddy-longlegs sidled up to suck out its juices. I knew how the fly felt, an inmate at the mercy of a sadistic prison guard.

Home improvement for this house would have to start with a match, but I’d never torch it because I’d be the number one suspect. This was the first place I’d ever broken into, the first place I’d ever been arrested, back in my juvie days when Nellie and Ashton still held backyard cookouts and enjoyed sipping martinis and electrocuting moths with their luminescent bug zappers.

Nellie’s bed smelled about right for her having died in it. I felt in the stained pillows and covers for hidden cash, knowing perfectly well some cop would already have checked all those obvious places and pocketed the prize. Cabinets and closets and dressers turned up the usual jetsam floating in a sea of dust bunnies as Nellie sailed on to her next life.

I pushed the queen-sized bed aside to rummage through the tattered cardboard boxes underneath and found old letters and bills, a broken telephone, stained Melamine plates, nothing even fit for a yard sale. If this house had anything less than ten years old or worth more than five dollars, I’d have been shocked. Frustrated, I kicked a box. There was no point in looking any more—but wait, this was odd. Several floor boards looked lighter and newer than the rest: pine surrounded by oak, galvanized nails bent but not rusted, hammer-head impressions in the soft wood suggesting slapdash carpentry.

Eagerly I pried another board and looked into the darkness. Some godforsaken life form squeaked and scurried away. I turned my flashlight on a pea-green Army blanket, and a thousand miserable bugs scattered in all directions. Only a fool would disturb that filthy piece of trash, but I was a plain and simple fool.

I went to a closet and found a wire coat hanger that I used to fashion a hook. I tried to catch one edge of the blanket, but the hanger slipped out of my hands and out of reach. Disgusted, I lay on the floor and reached down to pull away the blanket.

A sudden visit from the police couldn’t have brought me closer to cardiac arrest. I didn’t care anymore about money.

A pair of skeletons in rotted clothing lay one on top of the other. A hatchet rested inside the skull it had shattered down the middle. Toadstools grew out of both eye sockets—but there was nothing here that needed eyes.

Focus, lad

The last few days have been characterized by my trademarked lack of focus, resulting in much frustration. Yesterday I spent hours trying to create a dynamic HTML menu for the Internet Review of Books's Archive section. It's hard, but it's possible. I have done them before. Does the web site need it? No. Are there more important things to do? Yes.

Then there is the book I promised to review for October that makes me want to beg for mercy. It's 400 pages (300 to go!) of excessive detail on—on—what’s the topic again? My pattern lately has been to pick up the book, read a couple of pages, despair at how many are left to go, then close the book and turn on my Kindle, where James Lee Burke and Tin Roof Blowdown await. But while murder in the bayou is more interesting, it inspires a degree of guilt that I'm getting nothing constructive done. So after a while I'll lift dumbbells or check my email or Google Janelle Moloney because she has the cutest damn smile on West Wing. Recently I interrupted my work to make a list of commitments I should try to get out of in the next year so there'll be more time to write. That list is around somewhere, and I should really stop writing and find it.

One thing worth dropping is Twitter. Yes, it probably has value, but it also sucks up a disproportionate amount of time. My Twitter friend list, or whatever it's called, is up around 750. I'd tweet now and then, always linking to my blog, but who is really paying any attention? The friend invitations would come in, and I'd always click the link to see if they looked legit. If so, we became friends. If not, I deleted the invitation. Each time was an interruption of a couple of minutes in my day, and they added up.

There's more to say, but first I have to check my email.

Email promotion for When Pigs Fly

Being fundamentally a cheapskate, I'd thought to bypass paid advertising for When Pigs Fly and Getting Lucky and see how far I could get with my own online efforts. As it turns out, that hasn't been very far. So Ifinally agreed to spend $349 through iUniverse on an email marketing campaign for When Pigs Fly, which includes sending out a half million emails over a two-week span. Not long ago, I saw that the book's ranking had sunk to 1,880,000. Could it go any lower? It did, down to 2,178,615.

Today iUniverse notified me that the first emails went out yesterday, so I checked my Amazon ranking again. It was 350,579, so something good is happening. Here is the ad:

My life in six words

We did a short writing exercise at Mesilla Valley Writers yesterday, to write our autobiography in six words. Here's my life story:

Long time growing up. Old now.

An advertising experiment

Sunset and pampas grass

reflected in my living-room window

My next big step in publicizing When Pigs Fly will be a large emailing by iUniverse. They'll write and send out 500,000 solicitations to people who have opted to receive them (no spam!) for a small fraction of a penny apiece. The sales percentage is a big unknown, of course, but a 1 percent return would be a handsome success and about one-fortieth of that would cover my costs. If this works well I'll naturally keep advertising and will extend the effort to Getting Lucky as well.

Meanwhile, I will continue the no-cost emailing of press releases in batches of a dozen or so, several times a week. It's labor-intensive to collect the email addresses, but my marketing effort will be mostly on line. As much as I love to travel, I am not especially interested in traveling on a book tour.

The press release

Lots of comments in Chinese have been showing up on this blog lately, and they certainly aren't about writing. Mind you, I think Taiwan is a fine country, but the clutter of the Chinese ideographs and the English-language gibberish make for an annoying cleanup chore. So I've taken the step of adding that word-verfication tool to see if it cuts down on spam.

Today I started emailing the iUniverse press releases for When Pigs Fly. Initially, they will go out to all the print media I can find in the Southwest, and then I'll move on from there. Will anyone pay attention? At least it's costing me nothing but what my dear old mom used to call elbow grease.

Writing tasks for this week

Some blog-evaluation tool analyzed this blog and said it has too many pictures. What's up with that? Well, I'll try writing this one without pix.

My local writers' group starts up again this coming Saturday after a summer hiatus. I tried to interest someone else to take over the presidency, but apparently the perks are insufficient to stoke anyone's ambition. In other words, the job is mine for another year. So the first task is to publish the pre-meeting newsletter to tell members about our guest John Duncklee and get them all to show up.

Now that I'm back from Santa Fe, I also have to finish up a draft of a book review for The Internet Review of Books. It'll cover a pair of books on physics written for the intelligent lay person. Both were a challenge to read, perhaps the sort a person of my modest intellect should either read twice or not at all. The reviews themselves won't be as hard to write as I'd first thought, though.

In the living room, my son is watching The Simpsons on Fox, a network that doesn't get much airtime in our house. Maybe I can get Homer Simpson to help me with my review about black holes and conversion of matter into energy.

Visiting Santa Fe

Our son has flown in from Boston for a week's visit, and we're all spending a few days in Santa Fe. Jeff drove our car up from Las Cruces while Nancy, the cats, and I drove up in our RV. Yesterday we spent a few hours strolling down Canyon Road and poking our heads into the fancy galleries where the sculptures and paintings run a little on the pricey side. For example, you can have a beautiful bronze sculpture of a family of donkeys for only $85,000.

Today we took a look at Madrid and Cerrillos, two small towns on the Turquoise Trail. Here are some doodads created by a Madrid artist out of recycled materials:

And here is the Catholic church in Cerrillos:

Ode To The Yellow Pad

Here is a guest post by prolific Las Cruces writer John Duncklee, who is the author of Disowned and 16 other published novels.

Ode To The Yellow Pad

By

John Duncklee

We marvel at what we can do with the computer: cut and paste, send over the internet, correct mistakes and typos with ease and without erasing six carbon copies, choosing fonts and sizes with the touch on a mouse. The list goes on and on.

But, remember The Yellow Pad? No writer was without one or a pencil or pen to write on it. Fifty lined sheets begged to be written upon. With a pencil changes could be made with ease using an eraser. Erasers came in varied sizes shapes and materials. All worked well on The Yellow Pad.

And remember when you filled that last sheet, and took a clean Yellow Pad from the shelf to continue writing. That was always a good feeling of accomplishment. It kept you going in a way. You never counted the pages because you knew there were fifty. What did a Yellow Pad cost then? Twenty cents, thirty. Hell’s fire, pencils were only a nickel, and if you had a good pocket-knife, and knew how to use it, you didn’t need to buy a sharpener. With a pencil and a Yellow Pad you were in business. There were even editors that accepted some writers’ manuscripts written on Yellow Pads. Alas, I wasn’t one of those. I had to transfer those words to a blank white sheet of paper with a typewriter using two fingers. I had to borrow the typewriter. But, you had to be very careful. Corrections meant six carbon copies to erase and change. And, it took a different kind of eraser to obliterate typewriter ink. It never looked the same either.

My storage room has four large boxes filled with Yellow Pads. Every pad is filled. I know there are two non-fiction books and two novels in those boxes. And, they have been published. But, I’ll never toss away those Yellow Pads. Should I ever need more storage space, I’ll build another room, but the Yellow Pads with all that writing filling their fifty pages each will stay at rest. They deserve that much.

I stared at the computer for a month before I dared turn on the switch. It sat on a table so I could step around it to sit at my desk where I could write on my Yellow Pads. Of course, in time I started learning how to work the damn thing, but I realized soon that it meant learning more than what happened when I pushed different keys, I had to learn a completely new language. It was both spoken and written. It was also baffling, (and still is). In this new language a series of letters not making a word meant something important. I was only used to knowing that NRA meant National Recovery Act back in The Great Depression, and WPA meant Works Progress Administration, also in that time period. I also knew that WWA means Western Writers of America. I had no clue that RTF means Rich Text Format and I still haven’t a clue as to what Rich Text Format is or does. That list also goes on and on

But there have been plenty of laughs along the road to learning how to use a computer. In one book I changed the name of a character from Jack Ryland to Jason Roland. Pushing the command button on the keyboard along with the “f” key the “find” window popped into view. Again, with my two fingers I typed in Jack, clicked on “replace all” and then wrote in Jason in the space devoted to the resultant desired change. Satisfied and smug with my accomplishment, I hit the “replace all” command oval. Almost immediately, (another mind boggling characteristic of computers is their speed of execution), I saw the announcement that thirteen Jacks had been changed to Jason. Wow, that was easy, and I sat back I my chair in wonderment. Later, as I read through the manuscript I came upon “Jason rabbit”, then “pump Jason”, and even “Jason pot”. Bewildered by this I soon realized just how I had accomplished such a miracle. I also learned that important lesson that computers do exactly what you tell them to do. I also thought back and said to myself, ”This would never have happened on The Yellow Pad."

The other day I went to the office supply store to buy some toner for my printer. They don’t call it ink anymore. It is “toner”. No matter why I go to the office supply store I always end up strolling around to see what might be new. So I passed by the stacks of cases containing printer paper. I still had half a case. Beyond there was a shelf, part of which held The Yellow Pads. There was a stack of them all shrink-wrapped into bundles of six. The price wasn’t twenty cents per pad anymore, but the price was reasonable in my mind. I stood there a while thinking about those Yellow Pads. I couldn’t help myself a minute more. I reached down and grabbed a bundle and put it in the cart with my toner. As I wheeled the cart next to the cashier’s stand I thought once again about buying those Yellow Pads. One never knows when the power will go off or how long it will stay off. I patted the bundle of Yellow Pads as I put them on the counter.

END

Writing reviews for The Internet Review of Books

These are the reviews I've written for the Internet Review of Books dating back to October 2007. If you decide to purchase any of these through links on the review pages, the Internet Review of Books will earn a few pennies. In any case, please enjoy the reviews.

Contract with the Earth, by Newt Gingrich

American Lion, by Jon Meacham

Bananas, by Peter Chapman

Beyond Terror and Martyrdom, by Gilles Kepel

Blue Covenant, by Maude Barlow

Come to Think of It, by Daniel Schorr

Destiny Disrupted, by Tamim Ansary

Home Girl, by Judith Matloff

Independents Day, by Lou Dobbs

Simplexity, by Jeffrey Kluger

The Age of American Unreason, by Susan Jacoby

The Book that Changed My Life, by Roxanne J. Coady & Joy Johannessen

The First Day of the Blitz, by Peter Stansky

The Gamble, by Thomas E. Ricks

Three Generations, No Imbeciles, by Paul A. Lombardo

Distractions from writing

I've been doing once-monthly radio interviews of local authors here in Las Cruces and have been eagerly waiting for podcasts of old shows to become available on KSNM's website. They're still getting things set up over there, but here is the first podcast they have ready for me, a chat with my friend the retired cardiologist David Hoekenga (at right):

http://tinyurl.com/ksnm-hoekenga

Lately I seem to have been doing anything but writing. For example, there is an acquaintance's mother's apparently doomed appeal of an application for a green card that's consumed a ton of email and telephone time. There is organizing a writing contest for one writers' group and organizing meetings for another. There is fixing a supposedly professionally written press kit for When Pigs Fly. And straining my little brain to understand a lay explanation of E=mc² for a book I'm going to review—and—oh, a whole passel of excuses for neither writing new fiction nor blogging nor keeping up with friends' blogs.

I'll try to fix that soon unless something else sidetracks me, like wondering why a green card isn't green. Here's a sample I found on the Internet:

Get it in writing!

A friend recently emailed me to say she's been ripped off by a local publisher and needs to know how to disentangle herself. She has given me permission to post this. Here is her email (I changed all the names):

My book is published without a written contract. All I have on paper is an order form stating size of book, cost for bar code, ISBN, etc. Initially, I was told that the up-front money would be the total and that any monies from the sale of my book belonged to me. Well, over the weeks of getting the thing printed, Jane at ____ gave out little details about how it really worked. Honestly, I thought that I was getting a book printed POD. I had no idea she would take 20% of every book she sold that I had bought, as well as having extra books printed to sell in her "bookstore" and that I hadn't paid for. She would get all of that money. I verbally agreed to that, I think, in the week the book was being printed. The reason I didn't make waves was because it had already cost me more money because "it was taking so long and she was having to help me more than usual" to get the book done. I needed the book in my hands for an event. My question is can I terminate my relationship with Jane and do I retain all rights to my book, to include all hard data and disks? This is a lot to ask of you, but I'm not happy about this deal. The only one making any money is Jane and I keep going deeper into the hole money-wise. She is charging me $450 for a second run of fifty books. She sells other authors' books at her place of business to include two of Diane’s. When I queried Diane about it, she told me she had no idea Jane had any of her books and that if Jane had sold any, Diane hadn't received a penny from the sales. I can't afford to keep doing this and any thought of doing a second book with Jane is out of the question. Any help would be appreciated. I'm so dumb for not finding out all this legal stuff up front.

Then on the phone she told me the publisher was planning to print copies and sell them on their own, giving nothing to her! She said that for her initial print run including setup charges and whatnot, she paid nearly $1000 for 50 copies that would list for $11. Subsequent copies cost her $9 each. In other words, my good friend has been taken for a ride.

Oh, and she had a conversation with the publisher in which the publisher said they were getting so much business they were going to have to start keeping records.

I told her I'm not an attorney, but that she should send a certified letter to the publisher telling them to cease and desist from printing any copies not requested by her. She also can and should terminate that relationship immediately.

If there's one lesson to come out of this mess, it's this: Get it in writing!

Editing tip #1: Get rid of those extra spaces

This is the first in a series of editing tips for writers preparing their work for self-publication. They are presented in no particular order and represent tasks an editor or proofreader might do. Writers should still use a professional editor, but why pay for anything you can do yourself?

Get rid of those extra spaces. Your sentences should have only one space after a period. No matter how large your document is, you can check for and fix any extra spaces with a global search and replace. In Microsoft Word, for example, press Ctrl + h to display this window:

In the Find what field, type a period followed by two spaces.

In the Replace with field, type a period followed by one space.

Click Replace All.

How do you indent a paragraph? If you use the space bar, you may wind up with inconsistent indents—some five spaces, some four or six. Word and other programs can be set to automatically indent, but let’s put that aside for now. Many writers indent using a half-inch tab, and that’s fine. So let’s replace all those five-spaced indents with tabs:

Ctrl + h

In the Find what field, type exactly five spaces.

In the Replace with field, type ^t.

Click Replace All.

Then you can repeat the process by replacing ^t plus a space with ^t only, and then do the same process with four spaces.

Finally, do a search for two spaces and replace with one.

Planning to self-publish?

Las Cruces cacti in bloom

Planning to self-publish*? Always hire an editor—yes, I'd like that. I'm an editor. Hire me. Chances are you won't, of course. Chances are you'll hire no one, and that will be a pity for your book's sake.

Here's the deal, though. You must have someone read your manuscript who is not a friend or relative, someone with critical skills whose first interest is not to make you happy. If you belong to a writers' group, ask for critiques of your work, and be prepared to reciprocate. You might consider the Internet Writing Workshop, a helpful group I've been with for years.

Skill levels vary, of course, but getting critiques is an essential start. Don't take everyone's advice, because people can and do contradict each other; critiquers can also be flat wrong or unconstructive.

Once you've compiled and incorporated the best comments from the critiques, take the steps I outlined in my previous post. This should not take the place of hiring an editor, but not being born yesterday, I know that many people either can't or won't spend the money. In the first place, editors vary in quality as widely as writers do. In the second place, many charge by the hour and expect—get this—to be paid a living wage. Soon I'll have a post containing tips for choosing an editor.

Meanwhile, the higher quality your work is to start with, the less work an editor needs to do, and the less the impact on your wallet.

---

*By self-publishing I mean causing your book to be published, whether by sending your manuscript to a printer or to an outfit such as iUniverse or Xlibris.

Self-Publishing—Ten Great Tips to Make Your Book Shine

Zilker Botanical Gardens, Austin, Texas

We self-publishers fight a lonely battle, finding readers for our wit and wisdom. We write alone, and now we sell alone and search for ways to market our work. How do we entice readers to open their wallets?

Those questions are often premature. Before asking how you’re going to cope with all those book orders, you need to make sure you have a quality product. So here are ten tips to make your book, fiction or non-fiction, the best it can be.

#1 Use a spell-checker, but only as a first line of defense. Then you look for misspellings the spell-checker won’t catch, such as then/than, to/too/two, tail/tale, or its/it’s.

#2 Read your manuscript critically, as though you weren’t the author. Some things to check include complete chapters, well-organized paragraphs, complete sentences, and accurate punctuation.

#3 Be consistent. If you capitalize a word once in the text, chances are you always want to capitalize it. Decide whether you want one space or two at the end of a sentence, and stick with it. Never change your font or type size without good reason. If your work consists of more than one file, be sure that every file is formatted identically.

#4 Get honest, competent critiques. Leave your mother and spouse alone; your family has better things to do than fawn over your work. Avoid critiques from anyone who has an emotional stake in making you happy, because that isn’t what you need. The Internet Writing Workshop (http://internetwritingworkshop.org) is an excellent source of constructive, informed criticism.

#5 Use your judgment. Even good critiquers may give you conflicting advice. Remember that it’s your project, so the final decision is always yours.

#6 Refer to a style manual such as the Chicago Manual of Style, which is the most widely accepted guide for standard writing.

#7 Make a style sheet. A novel or other large manuscript can involve lots of small stylistic decisions by the author. Keep a pad of paper with a running list things you don’t want to have to keep looking up. For example, a cartoon I liked showed a bank robber writing a note and asking the teller, “Is holdup one word or two?” Think of words you often misspell or don’t know how to capitalize, and write them correctly on the list.

#8 Follow your publisher’s guidelines religiously even if they don’t insist.

#9 Repeat tip #2.

#10 Review the publisher’s proof carefully. When you receive the publisher’s proof isn’t the time to look for typos; you should have done that already. At this stage, the publisher may even charge you if you fix many of your own mistakes at this stage. Instead, look for their errors. Are illustrations in their proper places? Are pages and chapters numbered properly? Look at every page’s overall appearance. Is each one properly aligned? Is any text missing?

If you follow these simple (but not always easy) tips, I can’t guarantee best-sellerdom for your book, but I can promise you this: Your book will be far superior to the vast majority of self-published books. You will have a quality product.

Where ideas come from

The other side of Paradise:

Behind the Paradise Diner,

Lowell, Massachusetts

Where do a writer’s ideas come from? The genesis of my new novel, Getting Lucky, is very much the location: the mill city of Lowell, Massachusetts. There is an old map of the city from circa 1907 dividing it up by ethnic neighborhoods: English, Irish, German, Jewish, Polish, Greek, and French Canadian are the ones I recall. It was a city designed to be a modern 19th-century industrial center, with a spider web of canals linking a series of mills to the Merrimack River. Barges brought raw cotton from the South and returned with bolts of cloth for much of the country.

In the 20th century Lowell fell on hard times and developed just the grittiness and the edge to make it a good setting for a noir detective novel. Then for various reasons in the 1980s refugees from Cambodia flocked there by the thousands. My wife and I lived in a nearby town and sponsored one of the families, which gave us a heightened awareness of the Cambodians’ impact on the region. I had been a technical writer, and I remember waking up in the middle of the night thinking I had to write a novel about the Cambodians coming to America.

Freedom Country was my first try at writing fiction, and the best I can say is that I learned a lot about writing, about Cambodians, and about Lowell. That novel will never be published, because I could never gain a deep enough understanding of the Cambodian culture to make the story compelling. But I used much of the research for other projects.

A couple of novels later came Getting Lucky. I named my hero Mack Durgin after Mike Durgin, a real kid who had bullied me in my childhood. Mack bears no resemblance to the bully; I just happened to like the name. My wife insists that Mack’s personality and my own are not similar, but I like to think that he and I would be very much alike given similar circumstances. He has a sense of humor that he uses as a defense against life’s brickbats.

In Getting Lucky I try to establish a strong sense of place and character. Lowell has a shop called Tower News that sells newspapers and tobacco up front and hard-core pornography in back. In my novel it becomes a pure (well, impure) porn shop called A Touch of Love. My writer’s group loved to tease me about my research and about all the “field trips” I supposedly had to make to Tower News. One of my friends, a proper and devout Christian woman if I ever knew one, playfully pouted that I never invited her along on any of these excursions. One outing we did take together was to the county medical examiner’s office. On the M.E.’s wall hung a satin painting of a crying clown sticking a revolver into his mouth.

Despite all the research a writer does, it’s still easy to get things wrong. In one of my writer’s group meetings I read a scene set on one of the city’s streets in a tough neighborhood called The Acre. Mystery writer David Daniel, who knows the city cold, listened patiently and then told me that street slopes gradually uphill. It wasn’t critical to the story, but it was important to get details right when you’re dealing with a real place.

In writing Getting Lucky I learned that you can use facts, details, and observations that come from anywhere and find a home for them in your fiction.

Open mic at Palacio's

Shades of Bulwer-Lytton. Tonight we're doing the dark and stormy, with torrents of rain and constant sky-splitting lightning. It began as I left Palacio's Bar in Mesilla, site of the monthly open mic readings and performances. It was my first time there. The Carta Blanca was ice-cold, the crowd was friendly, and the popcorn was free. I was up for a night like this.

I read from Getting Lucky to an audience of two dozen; most read poetry, one played a three-piece Indian flute, another acted out a one-man skit. A guy from El Paso read some cleverly-rhymed, fast-paced gibberish. He teaches English and Philosophy at a community college and claimed he's an avowed Marxist. He used to think all rich people should be shot, he says, but now wants them to have the option of repenting or committing suicide. I smiled, thinking him a harmless twit but keeping said opinion to myself.

Pamela was one of the better poets of the evening. She prefaced her work by telling the audience that the poems she planned to read were about her ex-husband. In one poem, she said his primary means of communicating with her was punching her in the jaw. Then she described putting a gun to his temple while he slept but not pulling the trigger.

Whew.

In the course of the evening, the fellow sitting next to me kept picking up my book and putting it down, making me think he'd buy it. Alas, no. I made no more money than the poets tonight, but never mind—I'll be back.

Literary magazine for the El Paso Writers' League

My friend and colleague Sulta Bonner and I just completed a slick publication for the El Paso Writers' League entitled Border Tapestry. It contains first-prize-winning entries in the EPWL's 2008 writing contest, an annual event held for members. We did all the editing and layout, and then we paid a local printer who gave us technical advice and printed up a couple hundred copies for us.

Sulta knows El Paso far better than I do, so she showed me around town and advised me what photos to take. The result is the collage that appears on the cover.

New cover for When Pigs Fly

Here is iUniverse's new cover design for the Star edition of When Pigs Fly.



And this is the logo on the back cover.

By the way, a reader emailed me today and called When Pigs Fly an "absolutely fun and utterly impossible book." Sigh. Words like that are beautiful music.

If only I had a beach...

The reviewer at Rebecca's Reads wrote this nice comment in her review of Getting Lucky: "Getting Lucky" is a fast-paced read and would be the perfect book to take to the beach this summer."

Cool!